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Exhibiting Daffodils At Flower Shows

Are you a daffodil enthusiast looking to exhibit your blooms at flower shows? Discover the essential tips and techniques in this comprehensive guide.

The narcissus must now compete with the chrysanthemum for pride of place as an exhibition flower.

Key Information:

The narcissus competes with the chrysanthemum as an exhibition flower, with many lovely varieties.

  • Ganwick lights are suggested for protecting daffodil blooms in smoke-laden areas.
  • Red-cupped varieties appreciate protection from strong sunlight.
  • Fermoy, Flamenco, and Kilworth are excellent varieties for dry, sunny gardens.

The narcissus must now compete with the chrysanthemum for pride of place as an exhibition flower. This has surely come about through the present high esteem in which the flower is held, it being the ideal plant for the modern, labour-saving garden and an additional inducement is the introduction of so many lovely varieties. With the introduction of the modern pink and salmon shades and the intense red colourings of the cups of so many of the recent novelties, exhibiting must become of even greater popularity during the years ahead.

As many daffodil lovers are forced to cultivate their plants in gardens in or near to towns where the smoke-laden atmosphere will make protection of the blooms a necessity, Ganwick lights are suggested as being the most suitable form of covering. The plants should be allowed to grow on without protection until the buds are observed, then owing to the stems being quite brittle and early spring winds frequently being severe, it will be advisable to cover the plants after giving a peat mulch to conserve moisture about the bulbs. If no glass is available, pieces of hessian canvas should be fastened on strong stakes around the plants but should they be growing beneath a wall which provides protection from prevailing winds, then there may be no need to provide protection unless growing near a town, and this need not be given until the buds are first showing colour. Should the weather be unduly sunny, which occasionally happens during early April, muslin should be hung over the blooms or should be draped over the glass protectors during midday. Especially do the red-cupped varieties appreciate some protection and whether exhibiting or growing the more expensive varieties for one’s pleasure at home. They will give added satisfaction if some protection is given against strong sunlight. Likewise, if growing in pots in the cold greenhouse or in frames. Three excellent varieties which do not seem to fade are Fermoy, Flamenco and Kilworth, specially suitable varieties for growing in dry, sunny gardens. The white varieties do not require the same protection from the sun though are more susceptible to dirt and splashings from careless watering or from heavy rains and so should be covered as soon as the blooms begin to open.

The critical time is when the buds begin to open to ensure that none of the petals become caught. They may easily be released before the petal gets torn or is misplaced, which will of course spoil the bloom for exhibition purposes.

Timing is all-important too. It frequently happens that for a week before the show date the weather is cold and dull, with the result that the blooms do not appear to have chance of fully opening by the required date. Cutting the stems as long as possible, placing them almost up to the neck of the blooms in cold rainwater and transferring them to a cool greenhouse or attic should bring them on, though very gentle heat may also be necessary if the buds are unduly backward. Whether placing them in containers for exhibition or for market do not crowd them together – give the stems plenty of room.

To retard blooms I have occasionally placed the cut bloom in water in a cold cellar for twelve-hour periods, but as the exclusion of light for longer periods will take away the colour, only short periods are possible.

An excellent method of regulating the bloom is to set the bulbs in August in pans or pots of loam and peat, to which is added a sprinkling of bone meal and to place them in beds in the open of the width necessary to cover them with either Ganwicks or lights at the required time. Then should the season be late it is a simple matter to lift the pots and transfer them to a warm room or greenhouse. This is also a good method of ensuring a succession of bloom in pots in the home for the pots may be lifted and taken indoors whenever required. Peat should be pressed between the pots before they are covered to a depth of 8-9 in. with soil. This may also be done in a small yard, beneath a wall, the pots first being stood on a 6-in, bed of ashes, then covered with either ashes or soil. Cupboard space will not then be so urgent and in any case the bulbs will be far happier under the natural moist, cool conditions of the open.

Packing for transporting to the show is important and so is packing for market. For show, the blooms should be individually placed face upwards into a strong wooden box lined with tissue paper, then under their petals and above the stems is placed a roll of tissue which is held down by drawing-pins pressed into the bottom of the sides of the box.

For market, the same procedure should be employed, but here the blooms will be fastened in bunches of six, arranged in tiers, with the stems made level at the ends. The rolls of tissue will prevent any movement of the blooms. When handling blooms for show or for market, use the very greatest care for they will bruise easily but gentle titivating of the petals when in their boxes will enhance their appearance.

More Information on Exhibiting Daffodils At Flower Shows

Daffodils, also known as narcissus, have become a popular exhibition flower, often competing with chrysanthemums for recognition. The high esteem in which daffodils are held is due to their versatility and suitability for modern, labor-saving gardens. One of the factors contributing to their popularity is the introduction of numerous beautiful varieties.

For daffodil enthusiasts who cultivate their plants in gardens located in or near towns with smoke-laden atmospheres, protecting the blooms becomes a necessity. Ganwick lights are highly recommended as a suitable form of covering. It is advisable to allow the plants to grow without protection until the buds are observed. However, early spring winds and brittle stems may require covering the plants after giving them a peat mulch to conserve moisture around the bulbs.

Protecting the blooms from strong sunlight is particularly important for red-cupped varieties, as they tend to appreciate some shade. This applies not only to those grown for exhibition purposes but also to the more expensive varieties grown for personal enjoyment at home. Additionally, when growing daffodils in pots in a cold greenhouse or frames, it is crucial to give the stems ample room to avoid overcrowding.

To regulate the bloom time, setting the bulbs in pans or pots of loam and peat in August can be beneficial. Adding a sprinkling of bone meal and placing them in open beds covered with Ganwicks or lights at the required time allows for easier management. If the season is late, the pots can be transferred to a warm room or greenhouse to ensure a succession of blooms.

When it comes to transporting daffodils for shows or markets, proper packing is essential. For shows, individual blooms should be placed face upwards in a strong wooden box lined with tissue paper. For the market, blooms can be fastened in bunches of six, arranged in tiers. Care must be taken to handle the blooms gently, as they can bruise easily.

Daffodils are not only exquisite exhibition flowers but also a joy to grow and appreciate. Their beauty, variety, and adaptability make them a beloved choice for many gardeners.

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About The Author:

Rupert Foxton-Smythe

Horticulturist and avid plant enthusiast.

Rupert Foxton-Smythe is a seasoned horticulturist and avid plant enthusiast with over three decades of experience in the field of botany. As a leading expert at Houseplant Guru, Rupert brings a wealth of knowledge and a deep passion for all things green.

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